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Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOpen Gate and other image scan modes\u003c\/strong\u003e\u003cbr\u003eThe FX5 offers full-frame Open Gate recording—a first in the Cinema Line FX series. With 5K up to 120fps (FF 3:2)5, 4K up to 240fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInternal X-OCN compressed RAW video recording\u003c\/strong\u003e\u003cbr\u003eCapture 16-bit scene-linear X-OCN internally eliminating the need for an external RAW data recorder. 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Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDual Gain Shooting debuts in the Cinema Line FX camera series\u003c\/strong\u003e\u003cbr\u003eDual Gain Shooting maximizes latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-frame-rate capture, including 5K at up to 120fps\u003c\/strong\u003e\u003cbr\u003eHigh frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120fps and 4K at 240fps, giving creators the power to capture fast-paced action with impressive detail and clarity—ideal for everything from cinematic storytelling to sharp sports and documentary footage.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePrecise, reliable AF and tracking with AI-based subject recognition\u003c\/strong\u003e\u003cbr\u003eWith built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in de-squeeze for anamorphic shooting\u003c\/strong\u003e\u003cbr\u003eBuilt-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDeep learning-based illumination estimation\u003c\/strong\u003e\u003cbr\u003eDeep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS-Cinetone™ for a refined cinematic look\u003c\/strong\u003e\u003cbr\u003eS-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWide-gamut colour for more grading control\u003c\/strong\u003e\u003cbr\u003eWith colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThree S-Log3 modes for flexible workflows\u003c\/strong\u003e\u003cbr\u003eFrom cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e5-axis stabilization for steadier handheld shooting\u003c\/strong\u003e\u003cbr\u003eA precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. The result is a camera that’s ideal for handheld shooting. Dynamic active Mode adds extra electronic support, and stabilization data can also be used in post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLightweight, compact design for agility on set\u003c\/strong\u003e\u003cbr\u003eThe compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony’s compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh-quality 96 kHz \/ 32bit float audio recording\u003c\/strong\u003e\u003cbr\u003eThe XLR handle unit supports two XLR\/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz \/ 32bit float audio. With up to 4 channels of top-quality audio recording, it helps you capture cleaner sound without slowing down the shoot.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBIG6 (HOME) screen for faster on-set control\u003c\/strong\u003e\u003cbr\u003eInherited directly from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen displays six essential settings together: frame rate, EI\/ISO\/Gain, shutter, iris, LUT and white balance. 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With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor that professional cinematic look\u003c\/strong\u003e\u003cbr\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr\u003eFor creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators' Cloud and selected as needed.  The LUT used for recording can then be embedded in the video metadata for post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr\u003eAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr\u003eSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for solo shooting\u003c\/strong\u003e\u003cbr\u003eCombining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr\u003eAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr\u003eThe FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStabilization for dynamic handheld shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability for professional filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m-1 dioptre), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4:2:2 10bit or 16bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMonitor and Control\u003c\/strong\u003e\u003cbr\u003eSony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreators’ Cloud platform\u003c\/strong\u003e\u003cbr\u003eCreators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr\u003eRecorded files can be directly uploaded to Creators' Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators' Cloud, data can be transferred to other cloud services such as Google Drive or Adobe Lightroom to suit your workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr\u003eAccessibility features, such as a menu magnifier and a screen reader39 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.","brand":"Sony","offers":[{"title":"Default Title","offer_id":43125473345607,"sku":"210000016908","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/7928\/4295\/files\/lvkfenmubnjxeflacefj.jpg?v=1787586385"},{"product_id":"sony-fx2-cinema-camera-with-xlr-handle-unit-ilmefx2","title":"Sony FX2 Cinema Camera with XLR Handle Unit (ILMEFX2)","description":"\u003cstrong\u003eThe gateway to cinematography\u003c\/strong\u003e\u003cbr\u003eAs a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor that professional cinematic look\u003c\/strong\u003e\u003cbr\u003eThe FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCinematic expression with a full-frame sensor\u003c\/strong\u003e\u003cbr\u003eThe full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutstanding image quality for maximum editing flexibility\u003c\/strong\u003e\u003cbr\u003eThe FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3\/S-Gamut3.Cine colour gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLog recording modes for production flexibility\u003c\/strong\u003e\u003cbr\u003eFor creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMultiple recording formats for versatile shooting and editing\u003c\/strong\u003e\u003cbr\u003e7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 colour sampling, an efficient MPEG-H HEVC\/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eImport up to 16 user LUTs\u003c\/strong\u003e\u003cbr\u003eWith the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators' Cloud and selected as needed.  The LUT used for recording can then be embedded in the video metadata for post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreate moods right in the camera\u003c\/strong\u003e\u003cbr\u003ePicture Profile presets make it easy to adjust colour and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesqueeze display for anamorphic lenses\u003c\/strong\u003e\u003cbr\u003eAnamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrame rate freedom\u003c\/strong\u003e\u003cbr\u003eAn FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn extensive range of expressive E-mount lenses\u003c\/strong\u003e\u003cbr\u003eSony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDesigned for solo shooting\u003c\/strong\u003e\u003cbr\u003eCombining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCompact and lightweight with built-in accessory mount points\u003c\/strong\u003e\u003cbr\u003eWith the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAI-based Real-time Recognition AF\u003c\/strong\u003e\u003cbr\u003eEquipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognised subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognises subject movement, and human eye recognition has been improved by about 30% compared to the FX3\/FX30.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFine-tuned focus control\u003c\/strong\u003e\u003cbr\u003eAF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAutomatic framing using advanced AI\u003c\/strong\u003e\u003cbr\u003eThe FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStabilization for dynamic handheld shooting\u003c\/strong\u003e\u003cbr\u003eActive Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStills at the flip of a switch\u003c\/strong\u003e\u003cbr\u003eA single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVisual consistency across stills and videos\u003c\/strong\u003e\u003cbr\u003eThe Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOperability for professional filmmaking\u003c\/strong\u003e\u003cbr\u003eThe FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTiltable high-definition electronic viewfinder\u003c\/strong\u003e\u003cbr\u003eKeep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m-1 dioptre), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequently used parameters all in one place\u003c\/strong\u003e\u003cbr\u003eThe FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed\/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable\/Fixed parameters.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEffective heat management\u003c\/strong\u003e\u003cbr\u003eEnjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlenty of power for long shoots\u003c\/strong\u003e\u003cbr\u003eA high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDigital audio without degradation\u003c\/strong\u003e\u003cbr\u003eWith an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEasy live streaming\u003c\/strong\u003e\u003cbr\u003eThe FX2 is also a great choice for live streaming to a computer via USB (UVC\/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCFexpress Type A memory card support\u003c\/strong\u003e\u003cbr\u003eTwo card slots support SDXC\/SDHC UHS-II\/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e4:2:2 10bit or 16bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003eAn HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]\/[29.97p]\/[23.98p]\/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMonitor and Control\u003c\/strong\u003e\u003cbr\u003eSony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCatalyst Browse, Catalyst Prepare\/Plugin\u003c\/strong\u003e\u003cbr\u003eThe Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK\/NG\/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCreators’ Cloud platform\u003c\/strong\u003e\u003cbr\u003eCreators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCloud Upload (camera direct)\u003c\/strong\u003e\u003cbr\u003eRecorded files can be directly uploaded to Creators' Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators' Cloud, data can be transferred to other cloud services such as Google Drive or Adobe Lightroom to suit your workflow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEnvironmentally conscious\u003c\/strong\u003e\u003cbr\u003eSony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNon-plastic packaging materials\u003c\/strong\u003e\u003cbr\u003eSony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGreater accessibility for all users\u003c\/strong\u003e\u003cbr\u003eAccessibility features, such as a menu magnifier and a screen reader39 that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.","brand":"Sony","offers":[{"title":"Default Title","offer_id":43125473378375,"sku":"210000016910","price":3098.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/7928\/4295\/files\/oey0bhcgtq585onnqvir.jpg?v=1787586386"},{"product_id":"godox-gm6s-5-5-4k-hdmi-ultra-bright-on-camera-monitor","title":"Godox GM6S 5.5\" 4K HDMI Ultra Bright On-Camera Monitor","description":"\u003cstrong\u003eGM6S - 4K HDMI 5.5\" Ultra Bright Camera Monitor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore Than Just Brighter\u003c\/strong\u003e\u003cbr\u003eDriven by a determined mission, Godox has always been committed to enriching the solution system for photography and videography. Following the well-received GM55, Godox welcomes GM6S, a 1200nit-bright camera monitor that unlocks more possibilities for outdoor shooting. High bright, portable, with the additional Type-C power supply and plenty of auxiliary features, GM6S is undoubtedly the best outdoor partner with which you can never go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNo More Fear of Strong Sunlight\u003c\/strong\u003e\u003cbr\u003eFeaturing 1200nit brightness, GM6S provides a clear and accurate display in whatever situation. Especially for outdoor shooting, strong sunlight is no longer an obstacle to checking your screen.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNever Tell a Lie to Your Eyes\u003c\/strong\u003e\u003cbr\u003eWith REC.709 color calibration to guarantee high-fidelity images, GM6S promises never to deceive your eyes. What you see is what you get.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCustom 3D LUT Support\u003c\/strong\u003e\u003cbr\u003eYou can import custom 3D LUT into GM6S via SD card at a maximum of 25. In addition to converting Log into REC.709, more possibilities for creative footage are also waiting for you!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFanless, Noiseless\u003c\/strong\u003e\u003cbr\u003eGM6S is completely silent with the fanless design, contributing to your crystal clear sound recording. Simultaneously, the shell made of robust metallic material can provide auxiliary heat dissipation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCamera Control\u003c\/strong\u003e\u003cbr\u003eUsing the adaptive camera control cable (optional), GM6S can conveniently access the camera functions for further enhanced efficiency. Try it to liberate your eyes and fingers from swapping back and forth between the monitor and camera.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSmoother Experience with New UI\u003c\/strong\u003e\u003cbr\u003eGodox has optimized the UI logic and reorganized the function layout for the system of GM6S, devoted to providing a more convenient and smooth experience for users.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore Choices for Power Supply\u003c\/strong\u003e\u003cbr\u003eGM6S provides three choices: lithium battery, DC, and Type-C power supply, never trapping you in awkward situations without power. 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Nails the shot, whether it's solo trips or group photos.\u003cspan style=\"white-space:pre\"\u003e \u003c\/span\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eColor Profiles\u003c\/strong\u003e\u003cspan style=\"white-space:pre\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eAn exclusive set of Leica color profiles infuses your footage with Leica's signature color aesthetics, adding a touch of elegance to every shot. 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